Results for 'Stina Bergman Blix'

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  1. Should the teleosemanticist be afraid of semantic indeterminacy?Karl Bergman - 2021 - Mind and Language (N/A).
    The teleosemantic indeterminacy problem has generated much discussion but no consensus. One possible solution is to accept indeterminacy as a real feature of some representations. I call this view “indeterminacy realism.” In this paper, I argue that indeterminacy realism should be treated as a serious option. By drawing an analogy with vagueness, I try to show that accepting the reality of indeterminacy would not be catastrophic for teleosemantics. I further argue that there are positive reasons to endorse indeterminacy realism. I (...)
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  2. Skill, Drill, and Intelligent Performance: Ryle and Intellectualism.Stina Bäckström & Martin Gustafsson - 2017 - Journal for the History of Analytical Philosophy 5 (5).
    In this paper, we aim to show that a study of Gilbert Ryle’s work has much to contribute to the current debate between intellectualism and anti-intellectualism with respect to skill and know-how. According to Ryle, knowing how and skill are distinctive from and do not reduce to knowing that. What is often overlooked is that for Ryle this point is connected to the idea that the distinction between skill and mere habit is a category distinction, or a distinction in form. (...)
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  3. Investigating inclusive risk communication in the context of influenza outbreaks.Stina Nygren & Moa Zeidlitz - 2020 - In Clas Lindberg (ed.), Graduating Thesis Södertörn University. Södertörn University. pp. 1083.
    Outbreaks of novel influenza viruses are continually occurring on many places on our planet, with the ultimate and most extreme consequence being a full-scale pandemic. Modern communication technology is widely used for risk communication regarding recommended change in behavior patterns and other precautions in order to mitigate the transmission. However, the assumption and bias that modern communication technology constitutes the norm causes vulnerable groups to be at possible risk of systematic exclusion to correct and updated information. Through conducting a literature- (...)
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  4. Internalism and culpable irrationality.Karl Gustav Bergman - 2024 - Erkenntnis:1-21.
    According to internalism about rationality, the ir/rationality of a subject depends only on how things appear from her subjective perspective. According to culpabilism, rationality is a normative standard such that violations of rationality are (at least sometimes) blameworthy. According to a classical line of reasoning, culpabilism entails internalism. I argue that, to the contrary, culpabilism entails that internalism is false. The internalist cannot accommodate the possibility of culpable irrationality.
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  5. The force of fictional discourse.Karl Bergman & Nils Franzen - 2022 - Synthese 200 (6).
    Consider the opening sentence of Tolkien’s The Hobbit: In a hole in the ground there lived a hobbit. By writing this sentence, Tolkien is making a fictional statement. There are two influential views of the nature of such statements. On the pretense view, fictional discourse amounts to pretend assertions. Since the author is not really asserting, but merely pretending, a statement such as Tolkien’s is devoid of illocutionary force altogether. By contrast, on the alternative make-believe view, fictional discourse prescribes that (...)
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  6. Seeing People and Knowing You: Perception, Shared Knowledge, and Acknowledgment.Stina Bäckström - 2013 - European Journal for Philosophy of Religion 5 (4):55--73.
    This article takes up the proposal that action and expression enable perceptual knowledge of other minds, a proposal that runs counter to a tradition of thinking that other minds are special in that they are essentially unobservable. I argue that even if we accept this proposal regarding perceptual knowledge, there is still a difference between knowing another person and knowing other things. I articulate this difference by pointing out that I can know another person by sharing knowledge with her. Such (...)
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  7. Understanding “Understanding” in Public Understanding of Science.Joanna K. Huxster, Matthew Slater, Jason Leddington, Victor LoPiccolo, Jeffrey Bergman, Mack Jones, Caroline McGlynn, Nicolas Diaz, Nathan Aspinall, Julia Bresticker & Melissa Hopkins - 2017 - Public Understanding of Science 28:1-16.
    This study examines the conflation of terms such as “knowledge” and “understanding” in peer-reviewed literature, and tests the hypothesis that little current research clearly distinguishes between importantly distinct epistemic states. Two sets of data are presented from papers published in the journal Public Understanding of Science. In the first set, the digital text analysis tool, Voyant, is used to analyze all papers published in 2014 for the use of epistemic success terms. In the second set of data, all papers published (...)
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  8.  65
    Auf dem Weg zu einer neuen Strategie: Wie die saguf noch transformativer wird (2nd edition).Basil Bornemann, Michael Stauffacher, Anne B. Zimmermann, Manfred Max Bergman, Vicente Carabias, Livia Fritz, Ruth Förster, Andreas Kläy, Christoph Kueffer, Patrick Wäger, Ivo Wallimann-Helmer & Claudia Zingerli - 2023 - GAIA - Ecological Perspectives for Science and Society 32:264-266.
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  9. Bergman and Brentano.Guillaume Fréchette - 2017 - In Uriah Kriegel (ed.), The Routledge Handbook of Franz Brentano and the Brentano School. London and New York: Routledge. pp. 323-333.
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  10. Imágenes para un poema autobiográfico. Documentalidad y lirismo fílmico en 'Persona', de Ingmar Bergman.David Vázquez Couto - 2017 - Signa: Revista de la Asociación Española de Semiótica, 26:801-814.
    In Persona (1966), Ingmar Bergman reflects on thenature of the image emphasizing its enigmatic look. Thetechnical reproductions of images simultaneous lyactas windows and barriers of the world, as the world itself, from its status as documentary object that is part of the individual and collective memory of man. In the eye of the hurricane they are reality and its representation, and more specifically, a reality subjectified expressed in a poetic film that explores the image as extra linguistic sign. In (...)
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  11. El espacio de la ficción es el tiempo del espectador: la reflexividad de la mirada a la cámara en 'Un verano con Mónica'.David Vázquez Couto - 2021 - Ars Longa. Cuadernos de Arte 30:309-323.
    Summer with Monika (Ingmar Bergman, 1952) was a point of reference for filmmakers searching new ways of filmmaking during the 1960s and 1970s because it anticipated the characteristic reflexivity of cinematic modernity because of the protagonist’s look at the camera. By unexpectedly bursting into the narrative, this gaze becomes a self-conscious strategy aimed at disarticulating not only the cinematic fiction, but also Monika’s fiction, which has symbolically appropriated the imaginary world projected by cinema.
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  12. Volume Introduction: Gilbert Ryle on Propositions, Propositional Attitudes, and Theoretical Knowledge.Julia Tanney - 2017 - Journal for the History of Analytical Philosophy 5 (5).
    In the introduction to the special volume, Gilbert Ryle: Intelligence, Practice and Skill, Julia Tanney introduces the contributions of Michael Kremer, Stina Bäckström and Martin Gustafsson, and Will Small, each of which indicates concern about the appropriation of Ryle’s distinction between knowing-how and knowing-that in seminal work in contemporary epistemology. Expressing agreement with the authors that something has gone awry in these borrowings from Ryle, Tanney takes this criticism to a deeper level. She argues that the very notion of (...)
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  13. Reason, Metaphysics, and Mind: New Essays on the Philosophy of Alvin Plantinga.Kelly James Clark & Michael Rea (eds.) - 2012 - , US: Oup Usa.
    In May 2010, philosophers, family and friends gathered at the University of Notre Dame to celebrate the career and retirement of Alvin Plantinga, widely recognized as one of the world's leading figures in metaphysics, epistemology, and the philosophy of religion. Plantinga has earned particular respect within the community of Christian philosophers for the pivotal role that he played in the recent renewal and development of philosophy of religion and philosophical theology. Each of the essays in this volume engages with some (...)
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  14. From individual memory to collective memory: Theoretical and empirical perspectives.Amanda Barnier & John Sutton - 2008 - Memory 16 (3):177-182.
    Very often our memories of the past are of experiences or events we shared with others. And ‘‘in many circumstances in society, remembering is a social event’’ (Roediger, Bergman, & Meade, 2000, p. 129): parents and children reminisce about significant family events, friends discuss a movie they just saw together, students study for exams with their roommates, colleagues remind one another of information relevant to an important group decision, and complete strangers discuss a crime they happened to witness together. (...)
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  15. L'immagine-inazione. Lo spazio e il tempo nel passaggio dall'image-mouvement all'image-temps in Gilles Deleuze.Fabio Vergine - 2019 - In Enrico Giannetto (ed.), La memoria del cielo. Catania CT, Italia: pp. 1-18.
    Nella sua riflessione filosofica sull’immagine filmica Gilles Deleuze sembra aver tradotto nella maniera più immediata, ancorché insolubilmente problematica, la presenza di uno spazio e di un tempo che giocano il proprio ruolo su di una forma passiva di soggettività: è proprio ne L’image- mouvement, infatti, che Deleuze mostra come uno dei passaggi più proficui delle sue osservazioni sul cinema sia proprio la crisi di ciò che egli definisce immagine-azione, a favore, invece, di un’immagine-tempo, o situazione ottica e sonora pura. Per (...)
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